Single-flute or O-flute bit
An open single flute clears the chip in one piece before it re-melts; a two-flute cutter welds it back into the wall as a frosted, gummy edge.
The three things that matter most:
Set your cutter diameter, flutes and RPM and read the feed rate and chip load. This is the same tool as the acrylic feed & speed page, which carries the full chip-load reference table.
Your chip load is 0.2540 mm per tooth, which is within the recommended 0.203–0.305 mm range for acrylic with a 6.35 mm upcut spiral.
Acrylic. Acrylic fails by melting, not by burning. The chip has to carry the heat away, so an under-fed cut welds the swarf back onto the cutter. Single-flute O-flute geometry is the standard answer.
Upcut spiral. The baseline the published charts assume. Chips are lifted clear of the cut, which keeps heat out of the workpiece at the cost of tear-out on the top surface.
A single-flute or O-flute (polished, open-geometry) bit is the standard for acrylic. The open flute clears the chip in one piece before it can re-melt; a two-flute cutter traps and re-welds it into the wall as a frosted, gummy edge. An O-flute specifically is ground to leave a near-flame-polished edge in cast acrylic.
Acrylic inverts the wood intuition. Here heat is the enemy and the chip is the coolant, so you want a chip thick enough to carry heat out - but past a point, more speed just makes more heat. The counter-intuitive nuance, which Sienci's own testing documents: if melting persists, sometimes decreasing the feed helps rather than raising it, and the RPM usually wants to be lower than instinct suggests. Start from the calculator's acrylic window below and adjust toward whichever direction stops the melt.
Acrylic sheet is smooth and light, so it slips. Tape-and-glue works well for small parts, a vacuum for larger sheet, and clamps at the edges - just don't over-tighten, because acrylic is brittle and will craze or crack under a hard clamp. Support the whole sheet so it cannot chatter, which chips the edge.
Everything about acrylic is chip evacuation. A chip left in the slot re-melts, welds to the wall, and turns a clear edge frosty. Air-assist or a dust boot with strong airflow keeps the cut clear; a single-flute bit does the rest. If the edge comes out frosted or gummy, evacuation - not the bit sharpness - is usually the failure.
A clean cut throws small solid chips and leaves a smooth, near-transparent edge. A frosted, white, or gummy edge with strings of re-melted plastic means too much heat and poor evacuation - fewer flutes, more air, and try decreasing the feed. Cracks radiating from the cut mean you plunged instead of ramping, or clamped a brittle sheet too hard.
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An open single flute clears the chip in one piece before it re-melts; a two-flute cutter welds it back into the wall as a frosted, gummy edge.
Tooling and technique are drawn from manufacturer documentation and established references; starting ranges are exactly that - the exact feed and chip load for your cutter come from the calculator above, never invented here.